Killing Them Softly (Cogan's Trade Movie Tie-in Edition)
for a change.â
âHe was drinking his drink through them little plastic things youâre supposed to steer them with,â Gill said. âThose little green and white things.â
âYeah,â Cogan said. He set his coffee cup down. âWhereâs the fuckinâ car?â
âAround the side,â Gill said. âI thought you saidââ
âNever mind what you thought I said,â Cogan said. âMove your big dumb ass. The guyâs going home.â
âI donât get it,â Gill said.
âNeitherâs he, tonight,â Cogan said. âNever again, either. Come on, for Christ sake, weâre gonna get home early for a change.â
The yellow 4-4-2 trailed Trattmanâs tan Coupe de Ville through eight consecutive green lights on Commonwealth Avenue, westbound. Cogan rode in the back,sitting behind the driverâs seat. He kept his hands down, out of sight.
âJesus,â Gill said, âheâs pretty good at this. He hits them all, justâs they turn.â
âHe knows the speed,â Cogan said. âTheyâre set for nineteen or twenty miles an hour, I think it is. Something like that. He does it all the time, for Christ sake. He oughta.â
âJack,â Gill said, âwhat if, what if he hasnât gotta stop?â
âWeâll take him home and put him to fuckinâ bed then,â Cogan said. âJust keep after him, Kenny, and remember what I told you about thinking. Donât worry about nothing. Just you change lanes now and then and everythingâll be all right.â
On the long hill at the synagogue, the Cadillac swung into the right lane and the brake lights came on as it approached the intersection of Chestnut Hill Avenue. The traffic light was red. A streetcar moved west toward Lake Street beyond the intersection.
âMiddle lane, Kenny,â Cogan said. âThereâs three lanes, it goes to three lanes up here. Take the middle.â He began to straighten up in the back seat. He leaned over and cranked down the right rear passenger window with his left hand.
The 4-4-2 approached the Cadillac quickly off the left rear.
âRight up even,â Cogan said, ânice and smooth.â
The traffic light remained red. There were no other cars. The traffic lights on Chestnut Hill Avenue turned yellow.
âRight up next to him,â Cogan said. âThen a little bit ahead. Put me right next to him, Kenny. Atta boy.â
Gill stopped the 4-4-2 with the open right rearwindow even with the driverâs window of the Cadillac. Trattman looked lazily at the car. He looked back at the traffic light.
Cogan ran the 30-06 Savage semi-automatic rifle out the rear window of the 4-4-2 and fired five times. The first bullet crazed Trattmanâs window. Trattman lurched off to the right and was snubbed up abruptly. Cogan said: âGood for you, Markie, always wear your seat belt.â
The Cadillac started to creep forward as Cogan finished firing, Trattman bent forward at an angle over the passenger seat. When Gill swung the 4-4-2 left on Chestnut Hill Avenue, the Cadillac was halfway across; it ran up against the curbstone as the lights in the apartments at the intersection started to come on.
R USSELL, CARRYING A BROWN-PAPER BAG , came out of the Arlington Street MBTA station just before six oâclock and turned off Arlington at St. James. At the newsstand on the corner the old man was cutting wire on bundles of the
Globe
. Two men in business suits waited in a light green Ford sedan at the newsstand, the passenger with his head and left hand out of the window, offering change. The driver watched Russell turn right on St. James. Holding the microphone in his right hand, the driver spoke into it: âAll units, this is unit three. He finally made it.â
Russell crossed the street, pausing for a Greyhound bus to pull into the terminal parking lot, in from Bangor. The driver of the third Yellow Cab in line at the terminal spoke into his microphone: âUnit four to all units. I got him now. Heâs on the sidewalk. Heâs about to enter the station.â
The light green Ford started moving toward the next intersection. It turned right at Stuart Street and went the wrong way up behind the terminal.
In the station a man in a light blue private security force uniform stood at the top of the stairs, his back to the doors, watching the reflection of the
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